Researcher(s)
- Laura Shidle, Art Conservation, University of Delaware
- Katrina Hiles, Art Conservation, University of Delaware
Faculty Mentor(s)
- Joyce Hill Stoner, Art Conservation, University of Delaware
Abstract
For the past two semesters, we have been conserving The Return of the Shrimpers, a 38 x 68 inch 19th-century oil on canvas by Edward Moran. Discovered in a dumpster in Virginia, the painting arrived in poor condition with tears, losses, flaking paint, dirt, grime, and a warped surface due to poor restoration and poor environmental conditions. Initial treatment involved grime and varnish removal. Our Summer Scholars project was twofold: researching the historical background and continuing treatment through lining and adhesive removal. In our research of the art history, we found etchings of the original painting, dates and names associated with the painting’s provenance, and information regarding Edward Moran himself. This information became crucial to the conservation process of this painting, as historical knowledge informed our treatment decisions and provided insight into past restoration efforts. As for the treatment, the next steps of the process included flipping the painting backside up, removing the stretcher, and removing the lining. Next came the most time-consuming step: removing the adhesive. We reactivated the adhesive with wallpaper paste, allowing it to solubilize and be lifted off after 10-15 minutes. Once we removed the adhesive, we set the dampened area down with Hollytex, blotter paper, wooden blocks, and a weight atop the canvas in order to maintain evenly distributed pressure as it dried. Once the adhesive is fully removed, we will proceed with tear repair and inpainting. The treatment of this painting is a highly involved process that offers a comprehensive framework for painting conservation, providing learning opportunities for undergraduates until its completion and return to the Virginia Museum of Fine Arts. While many of Moran’s works remain missing or unknown, this painting contributes to Edward Moran’s lasting legacy as one of New England’s leading marine landscape artists of his time.